The Arnold Map (1862) depicted the original 10 square miles Pierre L'Enfant laid out as the nation's capital city. Created by E.G. Arnold, it provided details on the "white," "free colored," and "slave" populations in Washington, Georgetown and Alexandria; all of the Union army fort positions and roads into the city and, therefore, was considered a threat to national security if it fell Confederate Army hands. All the map copies and the printing plates were confiscated by the War Department. Image courtesy of Library of Congress, Geography and Maps Division.

Media Release

Exhibition Examines Impact of Civil War on DC

"Of all places that I know [Washington] is the most ungainly and most unsatisfactory" - Anthony Trollope, novelist and British visitor to Washington in 1861, North America (1862)

"Washington is just now lively beyond all precedents; richly dressed pedestrians throng the sidewalks at all hours" Chicago Times, Oct. 23, 1862

The first comment sounds a lot like a pundit's critique; the second, a National Mall tourist's observation, both reminders of an enduring dichotomy, which to some currently symbolizes the nation's capital. However, these assessments of Washington, D.C., were, in fact, made within two years of the most famous of civil conflicts and are displayed in the Anacostia Community Museum's new exhibition, "How the Civil War Changed Washington," on view through Nov. 15.

In this exhibition, Curator Alcione Amos offers a fresh approach to Civil War history, with her focus on the evolution of the capital city, contextualizing its history and significant events with intriguing stories of some individuals who came here and contributed to the city's growth.

"'How the Civil War Changed Washington' is not an account of the historic battles of the North versus South," said Camille Giraud Akeju, the museum's director. "It is an examination of how this conflict affected the nations' capital in terms of the city's infrastructure, social imperatives and daily life."

Organized into nine sections covering before, during and after the war and featuring 18 artifacts, the exhibition examines the social and spatial impact of the Civil War, which resulted in dramatic changes in the city.

Before the war, Washington was a sleepy, sparsely populated town with German, Jewish and Irish enclaves, transient political residents, enslaved Africans, free but "Black Code-constrained" African Americans, unpaved streets, an unfinished Capitol and Washington Monument among other important buildings as well as a fetid canal where the National Mall is now located. With the war came a population boom. Between 1860 and 1870, the city's population increased from 75,080 inhabitants to 131,700, and the African American population increased from one-fifth to one-third beginning a trend of growth that continued until a century after the war when African American would become the majority.

The exhibition tells of the several tenuous routes of transition from enslavement to freedom and, later, to opportunities in home ownership and business success in the city where emancipation was first granted in the nation. Wartime work expands to provide women new opportunities in the federal work force, education and industry. The federal government is reimagined, local business flourished and modernization took hold spurring improvements in transportation, safety, law and health as well as expansion in adult recreation (prostitution). Forts built in the hilly terrain around the city, become new neighborhoods and parks after the war, expanding the city's footprint and accommodating the flood of refugees and newcomers.

Exhibition highlights include:

• Women of the Arsenal tableau: a tribute to 19 women workers killed in explosion at the Washington Arsenal
• Juxtaposition of urban and plantation slavery, the presence of free African American population and the life of "contrabands": runaway slaves to the safety of military forts
• The soldiers' life in the camp settlements
• John Washington's handwritten narrative of his flight to freedom to Washington
• Oyster shells and champagne bottle corks, excavated where the Smithsonian's National Museum of the American Indian now sits, remind of the prevalence of "ladies of the night"
• The Arnold Map, which would have compromised the war for the Union if it had gotten into enemy hands
• Hooker's Division Map: a users' guide to houses of ill repute in Washington
• Barry Farm: the first single home development established in far southeast for newly freed African Americans
• Clarina Howard Nichols: feminist and copyist at the Quartermaster Department, friend of Mary Todd Lincoln and an advocate for poor African American women
• Solomon Brown: Renaissance man, poet, scientific lecturer, Smithsonian employee, member of the Washington, D.C. House of Delegates and Barry Farm resident
• Contract used by freed man Tobias Henson to mortgage his daughter's labor to pay off final third of debt incurred to buy her freedom
• Audio/video station providing narratives by current residents on their Civil War-era ancestors and interactive maps on Washington neighborhoods during the war and today
• Discussion of traffic circle monuments to generals

The enduring legacies of Civil War to the nation were preserving the union and emancipating African Americans. For Washington, D.C., however, the legacy was the influx of women into the federal workforce, growth of African American community and physical expansion of city.

The exhibition comes full circle into the 20th century in the final sections, by reviewing the generational progress of particular individuals, families, religious institutions and neighborhoods.

"How the Civil War Changed Washington" was funded in part by Joseph and Lynne Horning, the Humanities Council of Washington, D.C. , the Smithsonian Consortium for Understanding the American Experience and the Smithsonian Women's Committee.

Established in 1967, the Smithsonian's Anacostia Community Museum focuses on examining the impact of contemporary social issues on urban communities. For more information, call (202) 633-4820; for tours, call (202) 633-4844. Website: anacostia.si.edu.

Media Only:
Marcia Baird Burris (202) 633-4876; (202) 320-1735 (cell)
bairdburrism@si.edu

Media Website:
http://www.anacostia.si.edu; http://newsdesk.si.edu

Note to editor:Images for publicity can be obtained from http://newsdesk.si.edu. Also visit the museum website for the calendar of public programs associated with the exhibitions.