Washington, D.C.: It's Our Home
Object Details
- Type
- Archival materials
- Collection Rights
- Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
- Collection Citation
- Smithsonian Folklife Festival records: 2000 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
- Identifier
- CFCH.SFF.2000, Series 5
- Introduction
- Washington, D.C.: It's Our Home was a program rich with the memories and flourishing traditional practices of the city's fishermen, taxi and bus drivers, lawyers, dancers, activists, retirees, seamstresses, craftspeople, musicians, choirs, quartets, gardeners, poets, cooks, quilters, and rappers, from east of the Anacostia River to west of Rock Creek Park. Washington, D.C., is a city of refuge and advocacy for the marginalized peoples of our nation and the world, and participants helped visitors see the social, cultural, and political context for their folklife practices. More than 45 researchers from community institutions and universities in the District worked for over a year and compiled cultural documentation on hundreds of potential Festival participants. Then they tackled the ticklish task of making a coherent statement about their multi-faceted city. A few examples illustrate what they found and chose to present on the National Mall. Soccer, for example, offers windows to connections and community. New immigrants to Washington often search for soccer teams from home. Each week Washington's parks host a small contest between nations, from Trinidad to Korea and Ethiopia. Spectators cook and share traditional foods, play music, and dance, transforming these games into celebrations. Long-time Washingtonians have grown to love soccer as well, and the city has nurtured its own legendary players and coaches, clinics and camps, styles, language, and new generations of players. Washington, D.C., residents are also enthusiastic participants in and spectators of numerous parades and processions throughout the year. Caribbean Carnival, Gay Pride, Chinese New Year, Unifest, Halloween, the Cherry Blossom, and inaugural parades and Good Friday processions are examples of lively celebratory events that take place on city streets. Participants in those celebrations spend countless hours in detailed planning and preparation to create the delicate balance between artistic style and performance. Spectators interact with performers as this unpredictable form of dynamic street theater pulsates through city neighborhoods. Folklife Festival visitors could enjoy both the celebrations themselves and the behind-the-scenes preparations. The program also honored community life and civic action, including the memories of the neighborhoods that people built as safe spaces from discrimination, and others that people lost through urban renewal and relocation. Participants described the city's long tradition of human rights activism, and they shared the songs, arts, stories, icons, rituals, and memorabilia that have enlivened this tradition. Go-go, Washington's indigenous music, may be the quintessential urban music, all percussion and beat, pulsing from garbage can lids, plastic buckets, homemade drums, cowbells, bass guitar, and saxophone, drawing audiences into passionate call-and-response as they identify the neighborhoods where they live. As musicians, deejays, dancers, stylists, instrument builders, and fans make this music, they also communicate its deep and complex roots in African American musical styles, the history of live musical gatherings in the city, and the pride of place expressed in a musical tradition that begins with meager material resources. Marianna Blagburn, Michael McBride, Brett Williams, and John Franklin were Curators, and Ivy Young was Program Coordinator. Program Area Organizers were: Gabriel Benn (spoken word), Tom Blagburn (basketball), Sally Gifford (social justice dialogues), Lisa Pegram (spoken word), and Lauren Rogers (reunions). Marianna Blagburn and Brett Williams were Research Coordinators. The program was produced in collaboration with the D. C. Commission on the Arts and Humanities. Major support was provided by the Government of the District of Columbia, The Morris and Gwendolyn Cafritz Foundation, The D.C. Sports and Entertainment Commission, Hilton Hotels Corporation, The Dunn and Bradstreet Corporation, The Meyer Foundation, The Washington Post, Chevy Chase Bank, Washington Metropolitan Area Transit Authority, IBM, and the Recording Industries Music Performance Trust Funds. Additional support was provided by the D.C. Humanities Council; the Blum Kovler Foundation; Program in African American Culture, Division of Cultural History, National Museum of American History; and SPOT Image Corporation.
- Researchers
- Lois E. Adams, Diane A. Bacote, Candace Barnes, Sue Barnes, Gabriel C. Benn, Toni Blackman, Tom Blagburn, Iley Brown II, James Brown, Jr., P J. Brownlee, Camilla Bryce-Laporte, Anika Collins, Evelyn Curenton, Sandy Dang, Anna De Fina, Jane Flegel, Christopher Flores, Paul Gardullo, Lilo Gonzales, Alan Hersker, Sherri Lawson-Clark, William Mabry, Atiba Madyun, Angie Manzano, Susie McFadden-Resper, Melinda Michels, Lisa Pegram, Jemima Pierre, Kishanna Poteat, Rose Powhatan, Mingo Roberts, Elizabeth Sheehan, Danette Sokocich, Pallavi Thakur, Michael Twitty, Nilda Villalta, Sheila Wise, Yohannes Zeleke
- Presenters
- Gabriel Benn, Kai Blagburn, Rahman Branch, Camilla Bryce-Laporte, Kenny Carroll, Anna DeFina, Robert Fry, Howard Gassaway, Jordan Graye, Marjorie Hunt, Philippa Jackson, Linda Lee, Beverly Lindsay, Diana N'Diaye, Lisa Pegram, Mingo Roberts, Sheila Roberts, Ryan Rodríguez, Stephen Syphax, Michael Twitty, Nilda Villalta, David Wang, Brian Williams
- Participants
- CRAFT TRADITIONS James Brown, fiber artist Daughters of Dorcas -- Daughters of DorcasViola Canady, quilterRaymond Dobard, quilter Veronica DeNegri, -- arpilleras -- maker Videlbina Flores-Fitch, piñata maker Carlos Gomez, -- berimbau -- maker Iola Hall, basket weaver Brian Hamilton, stained glass maker Alfredo Herrera, woodcarver Lafayette Elementary School Quilters -- Lafayette Elementary School QuiltersJory BaroneKathy ByrdEdith JicklingJane McIntyre Patrick Plunkett, stone carver Vilma Quintanilla, quinceañera dress maker Francisco Rigores, drum maker Andy Seferlis, stone carver Constantine Seferlis, stone carver Mamo Tessema, potter Rome Yetbarek, basket weaver DANCE TRADITIONS African Heritage Drummers and Dancers Andrew Cacho African Drummers and Dancers International Capoeira Angola Foundation -- International Capoeira Angola FoundationSheryll AldredChandra BrownSkher BrownHahnhuynh Armando DrakeCarlos GomezKojo JohnsonGabriela MandolesiCobra MansaSaadika MooreFrancisco Bermudez MoralesGege PoggiSylvia RobinsonAmina Malik SantemuKevin WilsonAyende Youmans Poetry in Motion -- Poetry in MotionLarry BarronCharles BrownLevet Brown, Jr.Antonio F. BrutonSarah L. CrawleyRenee FinkleyGloria GoodeClinton J. GreenGary HolmesMary D. HopkinsGrace Little, vocalsJames OnqueCrystal P. ThompsonMell L. WalkerWarren E. WashingtonAnthony Yancey KanKouran West African Dance Company Smooth & E-Z Hand Dancing -- Smooth & E-Z Hand DancingMichael AshtonKermit BanksLawrence BradfordLarry BrownNovella CampbellKathi DavisVictor HowardJoy HunterVirginia IrbyMary JohnsonB.J. JonesLawrence LindseyDelores MavritteRonald MooreJoseph NelsonGregory OwensCarlyle PrinceCynthia SpignerGerald Woodfork Step Afrika! -- Step Afrika!Darrius GourdineGenia MorganDavid MyersKirsten SmithBrian WilliamsPaul Woodruff SECULAR MUSIC TRADITONS Archie Edwards Blues Heritage Foundation -- Archie Edwards Blues Heritage FoundationMichael E. Baytop, guitar, harmonica, vocalsNapoleon Brundage, harmonicaEleanor Ellis, guitar, vocalsResa Gibbs, vocalsJeff Glassey, harmonicaNeal Harpe, guitar, vocalsDavid Jackson, guitar, bass, vocalsNeal Johnson, guitar, vocalsSteve Levine, harmonicaThorin O'Neil, guitarJesse Palidofsky, keyboardMiles Spicer, guitar, drums, vocalsRichard "Mr. Bones" Thomas, bonesDion Thompson, guitarJoe Wabon, guitar, vocalsN.J. Warren, guitar, vocals Michelle Banks, Quique Aviles, and Friends the blueshounds -- the blueshoundsChris Dean, bassBarbara Jackson, lead vocalsNick Martin, keyboardsTony Rakusin, guitarBarry Turner, drums Big Hillbilly Bluegrass -- Big Hillbilly BluegrassMike Marceau, bassTad Marks, fiddleBob Perilla, guitar, vocalsDick Smith, banjo, mandolin Chuck Brown and the Soul Searchers -- Chuck Brown and the Soul SearchersChuck Brown, guitar, vocalsBrad Clement, trumpetGlen Ellis, bassRobert Green, congasJuJu House, drumsBrian Mills, saxophoneSherrie Mitchell, keyboard D.C.'s Finest -- D.C.'s FinestAvon Barbour, vocalsRichard Collins, vocalsJoe Herndon, vocalsDeane Larkins, vocalsReamer Shedrick, vocals Davey Yarborough Band Fugazi -- FugaziBrendan Canty, drumsJoe Lally, bassIan MacKaye, guitar, vocalsGuy Picciotto, guitar, vocals Nicki Gonzalez Band -- Nicki Gonzalez BandMarc Capponi, pianoIra Gonzalez, bassNicki Gonzalez, vocalsSrdjan Kolacevich, guitarJay Tobey, drums Image Band -- Image BandPeter Aimable, tromboneJohn Georges, trumpetEric Hamm, lead vocalsDarryle Jones, saxophoneAdrian Laldee, bassMarge Lawrence, lead vocalsJoe Louis, guitarClaude Richards, trumpetLaughton Sargeant, keyboard, vocals In Process... -- In Process...Tia Ade, vocalsNketia Agyeman, vocalsPaula Pree, vocalsPamela Rogers, vocals LaJazz -- LaJazzBob Balthis, tromboneBhagwan, bassCliff Bigoney, trumpetPaul Hawkins, percussionDon Junker, trumpetTom Monroe, alto and tenor saxophone, fluteRudy Morales, bongosDarius Scott, pianoSam Turner, percussion Lesbian and Gay Chorus of Washington, D.C. -- Lesbian and Gay Chorus of Washington, D.C.Ray Killian, music directorJill Strachan, general manager Luci Murphy and Friends -- Luci Murphy and FriendsDarnell Bell, percussionSteve Jones, guitar, pianoLuci Murphy, vocalsRoger St. Vincent, electric bass, vocals Memphis Gold -- Memphis GoldTony Fraizo, rhythm guitarMorris Freeman, drumsMemphis Gold, guitar, vocalsLorenzo Johnson, congasCharlie Sayles, harmonicaRobert Seymore, keyboardCharles Soleman, bass Rare Essence -- Rare EssenceMichael Baker, bassEric Butcher, percussionDonnell G. Floyd, Sr., rap, saxophoneAdebayo A. Folarin, vocalsDarrin Frazier, keyboardMilton Freeman, percussionKimberly Graham, vocalsByron Jackson, keyboardAnthony Johnson, lead guitarDerek Paige, trumpetMichael Smith, drumsKent Wood, keyboard Rumisonko -- RumisonkoCarlos Arrien, kena, zampoña, charango, vocalsMariano Arrien, kena, zampoñaRene Dehega, guitar, vocalsAlberto Lora, kena, zampoña Sin Miedo -- Sin MiedoAnna Mercedes Castrello, lead vocalsBrad Clements, trumpetRalph Eskenazi, timbalesSamuel Mungia, bassPatrick Noel, bongosDidier Prossaird, pianoGary Sosias, congas Sweet Honey in the Rock -- Sweet Honey in the RockYsaye Maria Barnwell, vocalsNitanju Bolade Casel, vocalsAisha Kahlil, vocalsCarol Maillard, vocalsBernice Johnson Reagan, vocalsShirley Childress Saxton, ASL interpreter Nap Turner Youth Steel Band D.C. Divas Julia Nixon -- Julia NixonJulia Nixon, vocalsDavid Ylvisaker, piano Bernice and Toshi Reagon -- Bernice and Toshi ReagonMichelle Lanchester, vocalsBernice Reagan, vocalsToshi Reagan, vocals, guitarYasmeen, vocals SACRED MUSIC TRADITIONS Barbara Gaskins -- Barbara GaskinsRoyce Bouknight, bassDeborah Delgado, vocalsBarbara Roy Gaskins, vocals, lead and rhythm guitarCharles Marvary, drumsKim Watson, vocals B'nai Shalom Adult and Youth Choir Cambodian Network Council - Cambodian Arts Project -- Cambodian Network Council - Cambodian Arts ProjectNatalie Chhuan, cymbals, dancerPhavann ChhuanRithy Chhuan, dancerThyda Chhuan, dancerBonnary Lek, dancerAmarind Sam, dancerChanmoly Sam, dancerLaksmi Sam, dancerMalene Sam, dancer Cardozo High School Concert Choir Carlton Burgess & Friends Complete Praise Rev. James Flowers and the Flowers Family Singers -- Rev. James Flowers and the Flowers Family SingersTommy Crosby, guitarReverend James N. Flowers, Jr., vocalsLizzy Flowers, vocalsMargaret L. Flowers, vocalsYolanda Flowers, vocalsMarie Hickson, vocalsDorothy McDowell, vocalsJerry Parker, keyboardsMargie Pickett, vocalsErma Reed-Flowers, vocalsMildred Scruggs, vocalsGeorge White, drumsTommy White, bass Foundation Khadimou Rossoul, North America -- Foundation Khadimou Rossoul, North AmericaPape DiengCheikh KèbèMassaer SambKhidim SeckPape SeckAbdoulaye TambaEl Hadj ThiamMourtala Thiam The Four Echoes -- The Four EchoesGeorge G. Blake, tenorWilliam Evans, lead vocalsJames Stein, baritoneGlen Taylor, lead guitar, vocals Holy Comforter - St. Cyprian Catholic Church Gospel Choir -- Holy Comforter - St. Cyprian Catholic Church Gospel ChoirKenneth Louis, music director Kings of Harmony - United House of Prayer for All Peoples Keshet Chorale of the D.C. Jewish Community Center Cantor Aaron Marcus Reverb -- ReverbMike Brisco, vocalsChristopher Hunter, vocalsRussell Jeter Ill, vocalsSteve Langley, vocalsR. Bruce O'Neal, vocalsVictor Pinkney, vocals Seven Sons -- Seven SonsJenny Andrews, vocalsLee Haley, drumsRev. James Hardy, vocalsNathan Jones, vocalsThomas Peterson, vocalsWardell Rogers, lead guitarGregory Young, bass Washington Toho Koto Society -- Washington Toho Koto SocietyClaudia Clark, kotoYuriko Gandol, kotoShuho Ishii, shakuhachiVera Land, kotoKyoko Okamoto, kotoRobert Preston, shakuhachiSachiko Smith, shamisen, kotoJohn Welsh, shakuhachi The Wright Singers -- The Wright SingersPatricia Bryant, vocalsElizabeth Hunter-Williams, vocalsLaShawn Rembert, vocalsJaqueline Richardson, vocalsEureka Robinson, vocalsFannie White, vocalsLeavia Wright, vocals FOODWAYS TRADITIONS Roberta Baietti, Northern Italian cooking Edith Ballou, African-American cooking Diana Celarosi, Central, Southern Italian cooking Liberata Ehimba, Senegalese cooking Patricia Giles, African-American cooking Rabbi Hayyim, Sephardic cooking Columbus Jones, fish fry Jodie Kassorla, Sephardic cooking Lillia Knight, Panamanian cooking Henry Lieu, Chinese cooking Hala Maksoud, Arab-American cooking Alpheus Mathis, African-American cooking Ester Muhammad, African-American cooking Rashida Muhammad, African-American cooking Joan Nathan, Jewish cooking Hai Nguyen, Vietnamese cooking Mildred Palm, African-American cooking Charles Reindorf, Ghanaian cooking Dwane Ricketts, Jamaican cooking Yvonne St. Hill, Panamanian cooking Maria Luisa Sylos-Labini, Northern Italian cooking Sing Tam, Chinese cooking Ester Treviño, Salvadoran cooking Taye Wogederes, Ethiopian cooking Dorothy Young, African-American cooking Bruno Zara, Central Italian cooking Christina Zara, Central Italian cooking GARDENING TRADITIONS Diane Dale Patricia Giles Pride Heitt Columbus Jones Frieda Murray Judy Tiger SOCIAL JUSTICE TRADITIONS Judith Bauer Dorothy Brizill Carl Cole Sandy Dang Lori Dodson Alfred Dudley Bernice Fonteneau Pat Hawkins George LaRoche Julius Lofton Ignatius Mason Phil Ogilvie Mark Richards Maurice Shorter Kathryn Sinzinger Larry Smith John C. Snipes Ivan Walk Karen Zachary SPOKEN, WRITTEN, RHYTHMIC WORD TRADITIONS D.C. National Teen Slam Team -- D.C. National Teen Slam TeamHenry ArangoKenneth CarrollIsaac ColonJabari ExumOkechukwu lwealaLarry RobertsonLauren Wyatt Jane Alberdeston Quique Avilés Racquel Brown Grace Cavalieri Kyra Garrett Infinite Loop -- Infinite LoopChi Garden Heady -- HeadyBrandon JohnsonKamaylaErnesto MercerE. Ethelbert MillerTerrance Nicholson Opus Akoben -- Opus AkobenBlack IndianKokayiSub-Z Orphyx -- OrphyxLisa PegramTiffany Thompson Po-Emcees -- Po-EmceesDarrell PerryPatrick Washington DJ Renegade Rhyme Deferred -- Rhyme DeferredPsalmayene 24 Silvana Straw Henry Taylor Eleanor Traylor Laurie Tsang Fong Sai U Unspoken Heard -- Unspoken HeardMichael AbbottAsheruBlue BlackRahman Branch SPORT AND GAME TRADITITONS Joe Lewis Abney Wil Atkins Jim "Bad News" Barnes Bobby Bennett Theo Brooks Phil Chenier Mark Chisolm Betty Cleeg Andrew Dyer Richard Evans Steve Francis Barbara Garcia Sonny Hill Saleem Hylton Brenda Jackson Roy Jefferson Andrew Johnson George Johnson Sam Jones Andre Jordan Lamont Jordan Carver Leech Dr. George Logan-El Butch McAdams Bill McCaffrey Jimmy McLain Thurston McLain Mike McLeese Lenny Moore George Nock Wanda Oates Soya Proctor Michael Smith Betsy Stockard Marty Tapscott Tony Watkins Christie Winters Willie Wood Jimmy Wright WATERWAYS TRADITIONS Anacostia Watershed Society Sheila Brennan Roger Legerwood, boat builder Bob Martin, boat builder
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Smithsonian Folklife Festival records: 2000 Smithsonian Folklife Festival
- Scope and Contents note
- This collection documents the planning, production, and execution of the 2000 Smithsonian Folklife Festival. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
- Historical note
- The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The 2000 Smithsonian Folklife Festival was produced by the Smithsonian Center for Folklife and Cultural Heritage and cosponsored by the National Park Service. For more information, see Smithsonian Folklife Festival records.
- Date
- June 23-July 4, 2000
- Extent
- 1 Cubic foot (approximate)
- Rights
- Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
- Citation
- Smithsonian Folklife Festival records: 2000 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
- Type
- Collection descriptions
- Archival materials
- Negatives
- Correspondence
- Business records
- Audiocassettes
- Slides (photographs)
- Memorandums
- Videotapes
- Contracts
- Notes
- Plans (drawings)
- Photographic prints
- Audiotapes
- Digital images
- Sound recordings
- Video recordings
- Topic
- Food habits
- arts and crafts
- World music
- Folklore
- Folk music
- Folk art
- Folk festivals
- Identifier
- CFCH.SFF.2000
- Introduction
- The goal of the Smithsonian Folklife Festival is to present diverse, community-based traditions in an understandable and respectful way. The great strength of the Festival is to connect the public, directly and compellingly, with practitioners of cultural traditions. In 2000, the Festival featured programs on the cultural ecology of the Río Grande/Río Bravo Basin, on Tibetan refugee culture, and on the local traditions of Washington, D.C. Visitors could learn how a cowboy or vaquero from South Texas works cattle, or speak with a Tibetan American immigrant about the meaning underlying her continued practice of sacred traditions. As an artist's hand guided the eyes of Festival viewers, they could imagine how an urban mural reflects life in Washington, D.C. The Festival program on the cultures of Washington, D.C., showed the vibrancy of local communities that live in the shadow of national institutions. El Río demonstrated the tenacity of regional culture at the borders, even margins, of Mexico and the United States. The program on Tibetan refugees provided a cultural in-gathering of a diaspora community facing issues of continuity and survival - climaxed by a huge ceremony on the National Mall presided over by His Holiness the 14th Dalai Lama, who also offered a public address on the occasion. Overall, the Festival this year demonstrated that, while people may be subject to modern forms of colonization, to unequal power and economic arrangements, and to marginalization, exile, and strife in many forms, they use their cultural traditions as sources of strength, resistance, and creativity to cope with and overcome their travail. Culture, after all, is a means of human adaptation. Just because people may be economically poor or politically powerless does not necessarily mean that their cultures are brittle or bereft of value. The Festival has long had an especially significant impact on those artists, musicians, cooks, and ritual specialists who participate directly in it. The attention they receive usually fortifies their intent to pass on their traditions to children, apprentices, and students, just as it sometimes encourages cultural exemplars to extend their creativity by connecting it to broader civic and economic issues. The Festival's rich cultural dialogue on the National Mall was considered to be particularly significant for American civic life at the dawn of the 21st century, as we enter an era in which no single racial or ethnic group will be a majority. The Festival allows a broad array of visitors to understand cultural differences in a civil, respectful, and educational way. Little wonder it has become a model for public cultural presentation, adopted by organizations elsewhere in the United States and in other democratic nations. The 2000 Festival took place during two five-day weeks (June 23-27 and June 30-July 4) between Madison Drive and Jefferson Drive and between 9th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). It featured three programs, with several special events including the Ralph Rinzler Memorial Concert. The 2000 Program Book included schedules and participant lists for each program; essays provided background on the Festival and on each of the programs. The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife and Cultural Heritage. Center for Folklife and Cultural Heritage Richard Kurin, Director; Richard Kennedy, Deputy Director; Diana Parker, Festival Director; Anthony Seeger, Director, Smithsonian Folkways Recordngs; James Early, Director, Cultural Heritage Policy; Thomas Vennum, Jr., Senior Ethnomusicologist; Olivia Cadaval, Chair, Research & Education; D.A. Sonneborn, Assistant Director, Smithsonian Folkways Recordings; Betty J. Belanus, Nancy Groce, Marjorie Hunt, Diana Baird N'Diaye, Peter Seitel, Cynthia Vidaurri, Curators, Folklorists, Education and Cultural Specialists; Carla M. Borden, Program/Publications Manager; John W. Franklin, Program Manager; Cynthia Vidaurri, Coordinator, Latino Cultural Resource Network; Jeffrey Place, Archivist; Stephanie Smith, Assistant Archivist; Arlene L. Reiniger, Program Specialist; Charlie Weber, Media Specialist; Zain Abdullah, Stanford Carpenter, Susan T. Chen, Roland Freeman, Dan Goodwin, Todd Harvey, Amy Horowitz, Ivan Karp, Guy Logsdon, Alan Lomax, Worth Long, René López, Kate Rinzler, Katherine Skinner, Saul Tobias, Bob White, Fellows & Research Associates Folklife Advisory Council and Folkways Advisory Council Michael Asch, Phyllis Barney, Jane Beck, Don DeVito, Pat Jasper, Ella Jenkins, Jon Kertzer, Barbara Kirshenblatt-Gimblett, John Nixdorf, Bernice Johnson Reagon, Gilbert Sprauve, Jack Tchen, Ricardo Trimillos National Park Service Robert Stantion, Director; Terry Carlstrom, Director, National Capital Region
- Shared Stewardship of Collections
- The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.